{"id":1805,"date":"2026-02-09T10:40:08","date_gmt":"2026-02-09T10:40:08","guid":{"rendered":"https:\/\/japanologija.ffzg.unizg.hr\/?p=1805"},"modified":"2026-02-09T10:40:08","modified_gmt":"2026-02-09T10:40:08","slug":"japanski-eksperimentalni-film-u-zagrebackoj-kinoteci","status":"publish","type":"post","link":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/2026\/02\/japanski-eksperimentalni-film-u-zagrebackoj-kinoteci\/","title":{"rendered":"Japanski eksperimentalni film u zagreba\u010dkoj Kinoteci"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>Vizije: Izme\u0111u sli\u010dica<\/strong><\/p>\n\n\n\n<p><strong>Utorak, 10. 02. 2025. | Kinoteka | 18:00 h<\/strong><\/p>\n\n\n\n<div style=\"height:22px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>U <strong>utorak 10. velja\u010de<\/strong> u zagreba\u010dkoj <strong>Kinoteci u 18 sati, <\/strong>udruga za audio-vizualna istra\u017eivanja 25 FPS u sklopu programa <strong><em>Vizije<a>: Izme\u0111u sli\u010dica<\/a> <\/em><\/strong>ugostit \u0107e Koyu Yamashitu, programskog direktora tokijskog <strong>Image Foruma<\/strong>, va\u017ene institucije posve\u0107ene promicanju nezavisnog i eksperimentalnog filma u Japanu. Program <em>Izme\u0111u sli\u010dica <\/em>donosi izbor radova japanskih avangardnih filma\u0161a nastalih 1970-ih i 1980-ih, razdoblja koje je ostavilo neizbrisiv trag u povijesti japanskog eksperimentalnog filma.<\/p>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ameri\u010dki <em>underground<\/em> film tijekom 1960-ih sna\u017eno se \u0161iri Japanom i zna\u010dajno utje\u010de na nezavisnu scenu i poti\u010de novu generaciju eksperimentalnih autora. U istom razdoblju nastaju brojne prikaziva\u010dke platforme i nezavisni kolektivi, poput tokijskog Image Foruma, koji omogu\u0107uju razmjenu, susrete i me\u0111usobne utjecaje me\u0111u filma\u0161ima. Ta nova generacija istra\u017euje strukturalisti\u010dki pristup filmu, osobito ispituju\u0107i principe filmske mehanike i materijalnosti medija. Strukturalna tendencija u japanskom eksperimentalnom filmu tog razdoblja prepoznaje se u istan\u010danom odnosu prema formi,fiksnom kadru, titranju slike i (re)fotografiranju prizora s ciljem istra\u017eivanja mehani\u010dkih postupaka koji pridonose do\u017eivljaju filma kao perceptivnog doga\u0111aja, a ne narativno strukturirane pri\u010de. Rije\u010d je o iznimno plodnom razdoblju koje obilje\u017eavaju i \u201ednevni\u010dki\u201d autori te nezavisni kratkometra\u017eni animatori, rijetko prikazivani i valorizirani u europskom kontekstu.<\/p>\n\n\n\n<p>Po\u010dev\u0161i od klju\u010dnog filma filma <em>Atman<\/em> (1975), pionira japanske avangarde <strong>Toshija Matsumota<\/strong>, snimljenog na infracrvenom filmu u tehnici stop-animacije, program nastavljaju materijalne sinestezije <strong>J<\/strong><strong>un\u2019ichija <\/strong><strong>Okuyame<\/strong> <em>My Movie Melodies<\/em> kao i kronotopska promi\u0161ljanja svjetla <strong>Hiroshija Yamazakija<\/strong>. Ideja filma kao niza stati\u010dnih kadrova ili fotografija dodatno je nagla\u0161ena vidljivo\u0161\u0107u okvira slike u filmovima <strong>Isaa K\u014dte<\/strong> <em>The Dutchman\u2019s Photographs <\/em>(1976) te u nostalgi\u010dnim rekonstrukcijama <em>Switchback<\/em> (1976) <strong>Kawanake Nobuhira<\/strong>. Postmodernisti\u010dki meta-slikovni komadi usmjereni na odnos izme\u0111u slike i onoga \u0161to one predstavljaju podru\u010dje je djelovanja filma\u0161a <strong>Akihika Morishite<\/strong> u radu <em>Xenogenesis<\/em>, a program zaklju\u010duje rad jednog od najva\u017enijih japanskih eksperimentalnih filma\u0161a, Takashija Ita, rijetko prikazana studija duge ekspozicije <em>Grim<strong>,<\/strong> <\/em>\u010diji je stil i interes sna\u017eno oblikovan pod utjecajem njegova mentora Toshija Matsumota.\u00a0<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Program <em>Izme\u0111u sli\u010dica<\/em> nastavlja tradiciju kriti\u010dkog sagledavanja japanskog eksperimentalnog filma kroz prizmu strukturalnih i konceptualnih pristupa koji su obilje\u017eili razvoj nezavisnog filma u Japanu sedamdesetih i osamdesetih godina, a fokusiran je na radove \u010ditave generacije, po\u010dev\u0161i od Toshija Matsumota pa sve do radova njegova u\u010denika, Takashija Ita. S obzirom da je samo dio filmova u programu digitaliziran, gostuju\u0107i program predstavlja rijetku priliku za upoznavanje s radovima u izvornom formatu.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>ATMAN, Toshio Matsumoto, 1975, 16mm, 11&#8242;<\/strong><\/p>\n\n\n\n<p><strong>MY MOVIE MELODIES, Jun\u2019ichi Okuyama, 1980, 16mm, 6&#8242;<\/strong><\/p>\n\n\n\n<p><strong>DUTCHMAN\u2019S PHOTOGRAPH, Isao Kota 1974, 16mm, 7&#8242;<\/strong><\/p>\n\n\n\n<p><strong>SWITCHBACK, Nobuhiro Kawanaka, 1976, 16mm, 9&#8242;<\/strong><\/p>\n\n\n\n<p><strong>FILM DISPLAY, Shunzo Seo,1979, 16mm, 5&#8242;<\/strong><\/p>\n\n\n\n<p><strong>HELIOGRAPHY, Hiroshi Yamazaki, 1979, 16mm, 6&#8242;<\/strong><\/p>\n\n\n\n<p><strong>ULTRAMINT, Tadashi Hirose, 1980, 16mm, 9&#8242;<\/strong><\/p>\n\n\n\n<p><strong>PULSE, Keiichi Minegishi, 1981, 16mm, 6&#8242;<\/strong><\/p>\n\n\n\n<p><strong>STILL MOVIE, Yoichi Nagata, 1978, 16mm, 3&#8242;<\/strong><\/p>\n\n\n\n<p><strong>X\u00c9NOG\u00c9N\u00c8SE, Akihiko Morishita, 1981, 16mm, 7&#8242;<\/strong><\/p>\n\n\n\n<p><strong>GRIM, Takashi Ito, 1985, 16 mm, 8&#8242;<\/strong><\/p>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Image Forum<\/strong> osnovan je 1977. godine u Tokiju kao nasljednik kinoteke Underground Center, posve\u0107ene prikazivanju i afirmaciji doma\u0107eg i me\u0111unarodnog eksperimentalnog filma. Podru\u010dje djelovanja Image Foruma danas obuhva\u0107a distribuciju, edukaciju te organizaciju istoimenog festivala.<\/p>\n\n\n\n<p>&#8212;<\/p>\n\n\n\n<p>Mjese\u010dni program <em>Vizije: Iz Kratke baze 25 FPS-a<\/em> posve\u0107en je autorima i djelima koji su istra\u017eivanjem mogu\u0107nosti filmskog jezika pomicali granice medija te ponudili novu perspektivu onoga \u0161to sedma umjetnost mo\u017ee biti. Od 2020. godine udruga 25 FPS realizira program u partnerstvu s Centrom za kulturu i film August Cesarec.<\/p>\n\n\n\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ulaznice za projekciju mogu se kupiti u Kinoteci u radno vrijeme blagajne ili online na www.ulaznice.hr. \u010clanovi <strong>Kratke baze<\/strong> imaju pravo na besplatan ulaz na projekcije iz ciklusa <em>Vizije: Iz Kratke baze 25 FPS-a<\/em>, a vi\u0161e o \u010dlanstvu potra\u017eite na stranicama <a href=\"https:\/\/kratkabaza.25fps.hr\">https:\/\/kratkabaza.25fps.hr<\/a><\/p>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"726\" data-id=\"1806\" src=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/ATMAN_Toshio-Matsumoto-1024x726.jpeg\" alt=\"\" class=\"wp-image-1806\" srcset=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/ATMAN_Toshio-Matsumoto-1024x726.jpeg 1024w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/ATMAN_Toshio-Matsumoto-300x213.jpeg 300w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/ATMAN_Toshio-Matsumoto-768x544.jpeg 768w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/ATMAN_Toshio-Matsumoto-1536x1088.jpeg 1536w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/ATMAN_Toshio-Matsumoto-2048x1451.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1807\" src=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/DUTCHMANS-PHOTOGRAPH_Isao-Kota-1024x576.jpg\" alt=\"\" class=\"wp-image-1807\" srcset=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/DUTCHMANS-PHOTOGRAPH_Isao-Kota-1024x576.jpg 1024w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/DUTCHMANS-PHOTOGRAPH_Isao-Kota-300x169.jpg 300w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/DUTCHMANS-PHOTOGRAPH_Isao-Kota-768x432.jpg 768w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/DUTCHMANS-PHOTOGRAPH_Isao-Kota.jpg 1296w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" data-id=\"1810\" src=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/MY-MOVIE-MELODIES_Junichi-Okuyama-1024x577.jpg\" alt=\"\" class=\"wp-image-1810\" srcset=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/MY-MOVIE-MELODIES_Junichi-Okuyama-1024x577.jpg 1024w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/MY-MOVIE-MELODIES_Junichi-Okuyama-300x169.jpg 300w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/MY-MOVIE-MELODIES_Junichi-Okuyama-768x432.jpg 768w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/MY-MOVIE-MELODIES_Junichi-Okuyama-1536x865.jpg 1536w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/MY-MOVIE-MELODIES_Junichi-Okuyama.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"694\" data-id=\"1809\" src=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/PULSE_Keiichi-Minegishi-1024x694.jpeg\" alt=\"\" class=\"wp-image-1809\" srcset=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/PULSE_Keiichi-Minegishi-1024x694.jpeg 1024w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/PULSE_Keiichi-Minegishi-300x203.jpeg 300w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/PULSE_Keiichi-Minegishi-768x521.jpeg 768w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/PULSE_Keiichi-Minegishi.jpeg 1316w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"721\" data-id=\"1808\" src=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/XENOGENESE_Xe\u0301noge\u0301ne\u0300se-Akihiko-Morishita-1024x721.jpg\" alt=\"\" class=\"wp-image-1808\" srcset=\"https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/XENOGENESE_Xe\u0301noge\u0301ne\u0300se-Akihiko-Morishita-1024x721.jpg 1024w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/XENOGENESE_Xe\u0301noge\u0301ne\u0300se-Akihiko-Morishita-300x211.jpg 300w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/XENOGENESE_Xe\u0301noge\u0301ne\u0300se-Akihiko-Morishita-768x541.jpg 768w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/XENOGENESE_Xe\u0301noge\u0301ne\u0300se-Akihiko-Morishita-1536x1082.jpg 1536w, https:\/\/japanologija.ffzg.unizg.hr\/wp-content\/uploads\/2026\/02\/XENOGENESE_Xe\u0301noge\u0301ne\u0300se-Akihiko-Morishita.jpg 1987w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Vizije: Izme\u0111u sli\u010dica Utorak, 10. 02. 2025. | Kinoteka | 18:00 h U utorak 10. velja\u010de u zagreba\u010dkoj Kinoteci u 18 sati, udruga za audio-vizualna istra\u017eivanja 25 FPS u sklopu programa Vizije: Izme\u0111u sli\u010dica ugostit \u0107e Koyu Yamashitu, programskog direktora tokijskog Image Foruma, va\u017ene institucije posve\u0107ene promicanju nezavisnog i eksperimentalnog filma u Japanu. Program Izme\u0111u [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1807,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/posts\/1805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/comments?post=1805"}],"version-history":[{"count":4,"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/posts\/1805\/revisions"}],"predecessor-version":[{"id":1814,"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/posts\/1805\/revisions\/1814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/media\/1807"}],"wp:attachment":[{"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/media?parent=1805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/categories?post=1805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/japanologija.ffzg.unizg.hr\/index.php\/wp-json\/wp\/v2\/tags?post=1805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}